Hobbs states: "This book on the art of Earl Cunningham (1893-1977)--a marine painter working mostly in Maine and Florida from the teens to the 1970s--will examine his not-so-simple vernacular art from a number of contexts, including the artist's personal world, the realm of intuitive art, and mainstream culture. Rather than segregating his Edenic views into a separate realm where they can mainly be appreciated as charming and idiosyncratic, this study will examine them in relation to some of the major historical and cultural debates of their time: the significance of belief in a country attuned to skepticism, American isolationist views versus the country's international commitments, and the role of the past in a culture dedicated to both the present and the future." Published in conjunction with a traveling exhibition organized by the High Museum of Art in Atlanta.
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