Publishes three papers presented at a symposium held 1-2 June 1991 at the Städtische Galerie Albstadt: Rainer Beck on the influence of past art on Dix in terms of stylistic correspondences, Dix's appropriation of traditional Christian and mythological themes, and his use of direct visual quotations; Brigid S. Barton on Dix's monumental painting of 1920-23 Der Schützengraben (The Trench) (location unknown); and Adolf Smitmans on Dix's incorporation of biblical iconography in his paintings.
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