Deals specifically with Bell's concept of the aesthetic emotion, the starting point of his theory in Art (1913). Aims to cast light on both Bell's formalism and the role experience might perform in a realist aesthetic theory.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license