On the promotion of Thea Proctor and Margaret Preston in these two journals ca.1925-1930, including frequent reproductions of their graphic arts and paintings, in an ironic effort by the conservative art establishment to label modernism a decorative, feminine and therefore marginal practice.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license