Een ets van Jan de Bisschop en een schilderstuk van Karel Dujardin

Author

Tatenhove, J. van

Document type

Article (journal)

Language

Dutch

Source

Delineavit et sculpsit. 1994, Num. 12, 46-48, 2 ill.

ISSN

0923-9790

Abstract (en)

Shows that the angel in the upper half of Dujardin's painting Hagar and Ishmael in the Wilderness (Sarasota, Ringling Museum of Art) is based on an etching by De Bisschop of an angel, published in 1671, after a drawing by Giuseppe Cesari, or on the original drawing itself (which at the time was in the collection of Jan Six). A date of 1662-1665 for the painting has recently been proposed, but if the work in fact copies De Bisschop's print, then the painting must be dated between 1671 and 1675 instead.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Netherlands
• Dujardin, Karel, ca.1622-1678
• Painting
• Netherlands
• 1600-1700
• Hagar and Ishmael in the Wilderness
• John and Mable Ringling Museum of Art||Sarasota (FL, USA)
• Bisschop, Jan de, ca.1628-1671
• Prints
• Angel
• Cesari, Giuseppe (Cavalier d'Arpino), 1568-1640
• Drawing
• Italy
• Sources

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Pays-Bas
• Dujardin, Karel, v.1622-1678
• Peinture
• Pays-Bas
• 1600-1700
• Agar et Ismaël dans le désert
• John and Mable Ringling Museum of Art||Sarasota (FL, USA)
• Bisschop, Jan de, v.1628-1671
• Estampe
• Ange
• Cesari, Giuseppe (Cavalier d'Arpino), 1568-1640
• Dessin
• Italie
• Sources

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19941001-00347716

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