Argues that the basis of the fascination of Leonardo's Mona Lisa (Paris, Louvre) lies in the reversal of the conventional relationship between sitter and beholder.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license