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Nuovi documenti per Piermatteo d'Amelia

Author
Andreani, Laura
Document type
Article (journal)
Language
Italian
Source
Studi di storia dell'arte/Age of Mackintosh. 1992, Vol. 3, 237-250, 17 ill. (3 col.)
ISSN
1123-5683
Abstract (en)
Publishes documentary evidence confirming Zeri's reconstruction of a dismembered five-part polyptych (central panel, Madonna and Child, Berlin, Staatliches Museen) dated 1481 and his attribution of it to the Master of the Gardner Annunciation, whom he identified as Piermatteo d' Amelia, as well as Todini's suggestion that it was originally in S. Agostino, Orvieto. The evidence casts light on the financial plight of the Augustinians of Orvieto and on Piermatteo's relationship to the Opera del Duomo of Orvieto, and supports the attribution to him of frescoes of the Madonna and Child in SS. Annunziata, Toscolano, and the parish church of Porchiano. Appendix with documents and records of payment, 1478-1481.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19950101-00309035

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license