Argues that curatorial policy, art theory and criticism, and the art market all work together to marginalize so-called "outsider" art, by disseminating false information about the artists and their work, and by isolating them from mainstream, commercial and academic art practice.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license