Includes a survey of Michelangelo's works in all media, followed by essays on the Sistine ceiling frescoes (Rome, Vatican, Cappella Sistina); Michelangelo's David (Florence, Accademia) and the emergence of colossal scale in the early 16th c.; the group of drawings known as the teste divine; Michelangelo and paintings by Sebastiano del Piombo; and the source for a drawing of S. Damian by Tintoretto (Sarasota, Ringling Museum), identified as Michelangelo's conception for the sculpture by Raffaello da Montelupo in the Medici chapel (Florence, S. Lorenzo).
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