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Why Monet gave up figure painting

Author
Wagner, Anne M.
Document type
Article (journal)
Language
English
Source
Art bulletin. 1994, Num. 4, Vol. 76, 612-629, 14 ill. (1 col.)
ISSN
0004-3079
Abstract (en)
Discusses Monet's painting, Le Déjeuner (Frankfurt, Städelsches Kunstinstitut), attending to the circumstances of its making, its ambitions, and the image it offers of bourgeois domesticity, all with a view toward unmooring the terms in which it has hitherto been seen. At stake are notions of the painter as author and as person, the fictional status of painting, and the contemporary ideology of the family. Monet's surrender of the goals manifested in Le Déjeuner is explained by his difficulties in reconciling the contradictions and problems that his effort provoked.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19950401-00312971

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license