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Robert Rauschenberg's Bed and the symbolism of the body

Author
Leggio, James
Document type
Article (journal)
Language
English
Source
Studies in modern art. 1992, Vol. 2, 78-117, 29 ill. (1 col.)
ISSN
1058-997X
Abstract (en)
Study of Rauschenberg's combine painting Bed, 1955 (New York, Museum of Modern Art); focuses on the question of the discrepancy between its early interpretation as the scene of a murder and the artist's notion of it as "friendly," and on the theme of the absent body and its residual imprint in his work. Concludes that self-contradiction and mistake and ambiguity between categories are characteristic of his work.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19950401-00313114

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license