Publication concerns the female model in Manet's Olympia (Paris, Louvre), Victorine Meurent. According to the reviewer the book "...is about Victorine Meurent, the 19th c. French model and artist, whom the author felt showed promise as both an interesting subject in her own right and an example of the denigration of women's accomplishment in traditional art historical scholarship." And the reviewer also notes "it immediately becomes apparent, however, that Lipton has placed herself squarely in the center of this book".
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