[Book review]

Author

Wood, Carol

Document type

Compte rendu de livre

Language

English

Source

New art examiner. 1995, Num. 5, Vol. 22, p. 49-50

ISSN

0886-8115

Abstract (en)

Papers from the 1989 conference at the University of Rochester; the reviewer mentions essays by Constance Penley on feminism, psychoanalysis and popular culture; Griselda Pollock on gender and class in 19th c. Britain, based on photographs of women miners; Keith Moxey on Bosch; Norman Bryson on Géricault and masculinity; Thomas Crow and Whitney Davis on aspects of Girodet's Sleep of Endymion (Paris, Louvre); and David Summers on form and gender; and finds that the essays share a regard for cultural relativism and for psychoanalytic and reader-response theory presuming the instability of the sign.

Subject (en)

• General history of art
• Feminism
• Psychoanalysis
• Popular culture
• Social classes
• Gender (sex)
• Great Britain
• 1800-1900
• Bosch, Hieronymus (Hieronymus van Aken), ca.1450-1516
• Géricault, Jean Louis André Théodore, 1791-1824
• Masculinity
• Girodet-Trioson, Anne-Louis, 1767-1824
• Painting
• Sleep of Endymion
• Musée national du Louvre||Paris (FRA)
• Form
• University of Rochester||Rochester (NY, USA)
• Conferences
• Photography
• Miners
• Women
• Representation
• Imagery
• Interpretation

Subject (fr)

• Histoire générale de l'art
• Féminisme
• Psychanalyse
• Culture populaire
• Classe sociale
• Sexe (catégorie)
• Grande-Bretagne
• 1800-1900
• Bosch, Hieronymus (Hieronymus van Aken), v.1450-1516
• Géricault, Jean Louis André Théodore, 1791-1824
• Masculinité
• Girodet-Trioson, Anne-Louis, 1767-1824
• Peinture
• Sommeil d'Endymion
• Musée national du Louvre||Paris (FRA)
• Forme
• University of Rochester||Rochester (NY, USA)
• Congrès
• Photographie
• Mineurs
• Femmes
• Représentation
• Image
• Interprétation

Review of

19950401-00314081

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19950401-00314082

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