Papers from the 1989 conference at the University of Rochester; the reviewer mentions essays by Constance Penley on feminism, psychoanalysis and popular culture; Griselda Pollock on gender and class in 19th c. Britain, based on photographs of women miners; Keith Moxey on Bosch; Norman Bryson on Géricault and masculinity; Thomas Crow and Whitney Davis on aspects of Girodet's Sleep of Endymion (Paris, Louvre); and David Summers on form and gender; and finds that the essays share a regard for cultural relativism and for psychoanalytic and reader-response theory presuming the instability of the sign.
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