Explores the noticeable lack of female figures in the oeuvre of the French painter, except in the case of his representations of blacks, the insane, and the impoverished. Through a comparison of Géricault's depictions of women with early 19th c. notions of the social position of women, argues that the artist actually intervenes positively in the dominant discourse on women, and that he purposely avoids participating in a system that disempowers, objectifies, and sexualizes women. Also discusses Géricault's portrayals of blacks and of victimized men.
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