Gay and lesbian studies in art history. 1994, 81-122, 8 ill.
Publisher
Haworth, New York (usa)
Publication country
United States
Abstract
(en)
After an overview of Renaissance documents treating donna con donna relations which examines the potentially positive effects of condemnation and silence, the paper focuses on Diana, the goddess of chastity, who bathed with her nymphs as an exemplar of female bodies preserved for heterosexual, reproductive pleasures. Yet the self-sufficiency and bodily contact sometimes represented in images of this secluded all-female gathering might suggest "deviant" responses from their viewers.
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