Echoes of the readymade : critique of pure modernism

Author

De Duve, Thierry; Krauss, Rosalind (Translator)

Document type

Article (journal)

Language

English

Source

October. 1994, Num. 70, 60-97, 5 ill.

ISSN

0162-2870

Abstract (en)

Theoretical and semiotic discussion of the artistic innovations of Duchamp, especially his readymades, and their influence on later conceptual artists. Examines the roles of the artist, the spectator and the museum in the evolution of conceptual art from Duchamp to the 1960s, and in particular considers the work of Marcel Broodthaers.

Subject (en)

• General history of art -- 1800-1945 -- France
• Duchamp, Marcel, 1887-1968
• Art
• Ready-mades
• France
• 1900-2000
• Influence
• Conceptual art
• Spectators
• Museums
• Reception
• Broodthaers, Marcel, 1924-1976
• Semiotics

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- France
• Duchamp, Marcel, 1887-1968
• Art
• Ready-mades
• France
• 1900-2000
• Influence
• Art conceptuel
• Spectateurs
• Musée
• Réception
• Broodthaers, Marcel, 1924-1976
• Sémiotique

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19950701-00318868

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