Through an analysis of the writings of Alberti, Chrysoloras, Bruni and others, Smith draws connections between literary and philosophical traditions in order to explain the significance of architecture as a topos 1400-1470. Architectural theory in the form of treatises is not the focus here, although they do appear tangentially as comparative materials. Nor is this book a contextual study of architecture, even in terms of intellectual history. Smith addresses instead architectural ekphrases as representative of the interests of both humanists and those whose profession - or passion - was architecture itself.
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