On the "multiple viewpoint" theory of early modern art

Author

Richardson, John Adkins

Document type

Article (journal)

Language

English

Source

Journal of aesthetics and art criticism. 1995, Num. 2, Vol. 53, 129-137

ISSN

0021-8529

Abstract (en)

Richardson argues against the commonly held notion that multiple viewpoints are characteristic of Cubism - that Cubist art is derived from a hermetic geometry that modifies the visible world in somewhat the same way scientific perspective had given unity to Renaissance vision.

Subject (en)

• General history of art -- 1800-1945
• Cubism
• Art
• 1900-2000
• Geometry

Subject (fr)

• Histoire générale de l'art -- 1800-1945
• Cubisme
• Art
• 1900-2000
• Géométrie

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19951001-00321996

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