La storia dei canoni proporzionali del corpo umano e gli sviluppi in area lombarda alla fine del cinquecento

Author

Berra, Giacomo

Document type

Article (journal)

Language

Italian

Source

Raccolta vinciana. 1993, Vol. 25, 159-310, 18 ill.; diagrams

Abstract (en)

Surveys the history of theories of proportions of the human body from antiquity to the 16th c., distinguishing two traditions, Italo-Byzantine or pseudo-Varronian and Vitruvian, which fused in the Renaissance. Examines the theories of Alberti, Leonardo, and Dürer, as well as Leonardo's drawing of Vitruvian Man (Venice, Accademia); and focuses on developments in Lombardy in the late 16th c., especially theoretical studies of Bernardino Campi, Lomazzo, and Salmeggia; relates these to renewed interest in the manuscripts and drawings of Leonardo.

Subject (en)

• General history of art -- 1400-1800 -- Italy
• Proportion
• Human figure
• Theory
• Italy
• Lombardia (ITA)
• 1500-1600
• Leonardo da Vinci, 1452-1519
• Alberti, Leon Battista, 1404-1472
• Dürer, Albrecht, 1471-1528
• Writings
• Campi, Bernardino, 1522-1595
• Salmeggia, Enea (il Talpino), act.1566-1626
• Vitruvius (Marcus Vitruvius Pollio), 1st c. B.C.
• Gallerie dell'Accademia||Venezia (ITA)
• Drawing
• Vitruvian Man

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Italie
• Proportion
• Corps humain
• Théorie
• Italie
• Lombardia (ITA)
• 1500-1600
• Leonardo da Vinci, 1452-1519
• Alberti, Leon Battista, 1404-1472
• Dürer, Albrecht, 1471-1528
• Ecrits
• Campi, Bernardino, 1522-1595
• Salmeggia, Enea (il Talpino), act.1566-1626
• Vitruve (Marcus Vitruvius Pollio), 1~e~r s. av. J.C.
• Gallerie dell'Accademia||Venezia (ITA)
• Dessin
• L'Homme vitruvien

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19951001-00322803

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