El barroco y su público : el hombre de la calle ante el arte : sensibilidad y capacidad de interpretación de las gentes durante el barroco

Author

Revilla, Federico

Document type

Article (journal)

Language

Spanish

Source

Colóquio. Artes. 1995, Num. 104, 44-53, 4 ill. (1 col.)

ISSN

0870-3841

Abstract (en)

Observes that a principal aim of Baroque art was to astonish, not in a superficial sense but in order to arouse the public and open it to experience. Examines the public response to Spanish Baroque art, including religious painting (Orrente school, Landscape with Flock of Sheep and a Well, in the Gil collection, in which figures embracing in the middle ground are identifiable as Jacob and Laban), ephemeral decorations (catafalque of queen María Amalia in the cathedral of Barcelona, 1761), spectacles (chasse du roi), and still life. Concludes that the Baroque was the most popular art, and the most intensely experienced by the public.

Subject (en)

• General history of art -- 1400-1800 -- Spain
• Art
• Baroque
• Public
• Spain
• 1600-1800
• Orrente, Pedro, ca.1580-1645
• School
• Landscape with Flock of Sheep and a Well
• Collections
• Maria Amalia de Sajonia, queen of Spain, 1724-1760
• Funerals
• S. Cruz (cathedral)||Barcelona (ESP)
• Catafalques
• Festivals
• Temporary architecture
• Still life
• Jacob
• Laban
• Painting
• Iconography
• Christian iconography

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Espagne
• Art
• Baroque (art)
• Public
• Espagne
• 1600-1800
• Orrente, Pedro, v.1580-1645
• Ecole
• Paysage avec un troupeau de moutons et un puits
• Collections
• Maria Amalia de Sajonia, reine d'Espagne, 1724-1760
• Funérailles
• S. Cruz (cathédrale)||Barcelona (ESP)
• Catafalque
• Fête
• Architecture éphémère
• Nature morte
• Jacob
• Laban
• Peinture
• Iconographie
• Iconographie chrétienne

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19951001-00322881

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license