Warhol's voice, Beuys's face, Crow's writing

Author

Atkinson, Terry

Document type

Article (livre)

Language

English

Book title

Art has no history! : the making and unmaking of modern art

Author (monograph)

Roberts, John (Editor, Collective Author)

Source

Art has no history! : the making and unmaking of modern art. 1994, 156-179, 1 col. ill.

Publisher

Verso, London (gbr)

Publication country

United Kingdom

Abstract (en)

Criticizes Tom Crow's political reading of Warhol's mid-1960s series of Disaster paintings as anti-capitalist, and for abstracting one set of works from the wider set of intentions and patterns of reference in Warhol's career. Taking account of Warhol's late portraits of Beuys, argues that Warhol continued to control the public reception of his work through the same rhetorical moves by which he built up his persona, which ensured he became an icon of late capital.

Subject (en)

• General history of art -- 1945-present -- Pictorial arts -- Painting and drawing -- United States
• Warhol, Andy, 1928-1987
• Beuys, Joseph, 1921-1986
• Crow, Thomas E., b.1948
• Art criticism
• 1900-2000
• Painting
• United States
• Capitalism
• Portraits

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Peinture et arts graphiques -- Peinture et dessin -- États-Unis
• Warhol, Andy, 1928-1987
• Beuys, Joseph, 1921-1986
• Crow, Thomas E., n.1948
• Critique d'art
• 1900-2000
• Peinture
• Etats-Unis
• Capitalisme
• Portrait

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19951001-00323829

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license