Presents a hypothetical reconstruction, based on documents and on the visual evidence of coeval works of art, of the altar by Donatello in the church of S. Antonio, Padua. Supplies more accurate data (from documents) on the front and rear staircases, and reiterates the attribution made in a previous article [Santo, 1993, v. 33, no 3 (Sept-Dec), p. 247-272] of four columns (now in the Palazzo Zacco, Padua) to Donatello, arguing that they were part of the altar.
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