Looks at portraits painted by Copley 1757-1772, arguing that, while he did not often allow politics to enter overtly into his art, certain of Copley's pictures took on a political importance as the Revolution drew near. Just as he fashioned images for his merchant subjects that expressed their social aspirations, so also did some of his paintings reveal his sitters' attitudes about the compelling issues of the day. This article is adapted in part from the author's contribution to the exhibition catalogue John Singleton Copley in America (1995).
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