Powell points out that Lowery Stoke Sims misinterpreted his position when she included him among "members of the African American art community who affirm the notion of a separate racial aesthetics's scholarship" (Art bulletin, 1994, 76, no 4 (Dec), p. 587-590); Sims accepts Powell's criticism, and discusses the construction of race by the American art world over the past 25 years.
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