Drawings as means to an end : preparatory methods in the Carracci school
- Author
- De Grazia, Diane
- Document type
- Article (acte de congrès)
- Language
English
- Conference title
- Craft of art : originality and industry in the Italian Renaissance and baroque workshop
- Author (monograph)
- Ladis, Andrew (Editor, Collective Author); Wood, Carolyn (Editor, Collective Author); Eiland, William U. (Editor, Collective Author)
- Source
- Craft of art : originality and industry in the Italian Renaissance and baroque workshop. 1995, 165-186, 8 ill.
- Publisher
- University of Georgia Press, Athens (usa)
- Publication country
- United States
- Abstract (en)
- Investigates the Carracci reform of painting from the point of view of their teaching methods; considers whether these departed from traditional Renaissance and Mannerist preparatory methods; also considers whether their method replaced past practice and influenced the new methods of the 17th c. Finds parallels between their method and Raphael's, and concludes that instead of reacting against the preparatory methods of the Mannerists they added to them by incorporating an understanding of nature, ancient art, and Renaissance artists into a calculated program of study; also concludes that the Carracci method was carried on by their pupils.
- Subject (en)
- Subject (fr)
- Origin
DatabaseBHA (Inist-CNRS/GRI)
Identifier19960101-00282450
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license
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