Demonstrates the connections between the first Post-Impressionist show held in London at the Grafton Galleries in 1910, the Arts and Crafts movement, and the ethical or utopian socialism which flourished in England between the mid 1880s and early 1890s. The descriptive language, religiosity and ethical interpretations which critics used in their reviews, articles and letters about the show (Manet and the Post-Impressionists), were all central components of the Arts and Crafts aesthetic.
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