The article refers to the memory of the Dachau concentration camp captured in pictorial signs [German commemorative monuments and art] from 1945 to 1968. The camp and its surroundings will be regarded as a discursive field in which different signs were erected for different events, referring to each other. Two strategies of representation can be recognized: on the one hand endeavor was made to document the facts of terror and murder while on the other these facts were symbolized and sacralized. During the years the latter method was favored more and more. Minimizing the relics of the Nazi era was a basic condition for yielding a maximum of (historical) meaning; a process led by the Bavarian State and the Catholic Church.
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