Il Cenacolo di Leonardo e i suoi restauri nella Milano fra il XI e il XX secolo fra arte e fede, propaganda politica e magnificenza civile

Author

Marani, Pietro C.

Document type

Article (journal)

Language

Italian

Source

I Tatti studies. 1997, Vol. 7, 191-229, 30 ill.

ISSN

0393-5949

Abstract (en)

Surveys the fame and the sense of the miraculous ascribed to Leonardo's Last Supper (Milano, S. Maria delle Grazie) as early as 1497. Chronicles the state of the work, its relation to the Last Supper by Ghirlandaio (1481; Florence, Convento di S. Marco), its inherent vices, the copies made after it (especially those of Marco d'Oggiono [attrib., ca.1510; destroyed], Andrea Bianchi [1612-1613; Milan, Pinacoteca Ambrosiana], Giovan Battista Bianchi [1791; private collection], and Giuseppe Bossi [1807; destroyed]), and the various restoration campaigns undertaken on the painting. Notes how - because the unfinished work has been an emblem of Milan, the Milanese, Italians, and mankind in general - the painting has had an impact on European culture, even as it and its meaning have altered over the centuries.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Leonardo da Vinci, 1452-1519
• Mural painting
• Italy
• 1400-1500
• Copies
• Conservation
• S. Maria delle Grazie||Milano (ITA)
• Reception
• Last Supper
• Oggiono, Marco d', ca.1475-1530
• Bianchi, Andrea (Vespino), act.1612-1640
• Bianchi, Giovan Battista, act.1791
• Bossi, Giuseppe, 1777-1815
• Ghirlandaio, Domenico (Domenico Bigordi), 1449-1494
• S. Marco (monastery)||Firenze (ITA)
• Influence
• Painting

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Leonardo da Vinci, 1452-1519
• Peinture murale
• Italie
• 1400-1500
• Copie
• Conservation
• S. Maria delle Grazie||Milano (ITA)
• Réception
• La Cène
• Oggiono, Marco d', v.1475-1530
• Bianchi, Andrea (Vespino), act.1612-1640
• Bianchi, Giovan Battista, act.1791
• Bossi, Giuseppe, 1777-1815
• Ghirlandaio, Domenico (Domenico Bigordi), 1449-1494
• S. Marco (couvent)||Firenze (ITA)
• Influence
• Peinture

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19990401-00203109

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license