Explores the iconography of Jan van Eyck's Marian Altarpiece (1437; Dresden, Gemäldegalerie Alte Meister) as portraying the sacrifice of the beloved child as a result of primal sin. First surveys the work's provenance as it is known or has been surmised and describes it. Pays particular attention to the figures decorating the throne (identifying them as the sacrifices of Abraham and Jephthah of their children - as is true also in the heretofore misidentified scenes in the Madonna with Canon van der Paele [Bruges, Stedelijke Musea Brugge]) and architecture (expulsion from Paradise and Agamemnon's hunt [i.e., acts leading to the deaths of Abel and Iphigenia] and Old Testament prophets).
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