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Evidence of replication in a portrait of Eleonora of Toledo by Agnolo Bronzino and workshop

Author
Urry, Serena
Document type
Article (journal)
Language
English
Source
Journal of the American Institute for Conservation. 1998, Num. 2, Vol. 37, p. 211-221, 13 ill.
ISSN
0197-1360
Abstract (en)
Portrait of Eleonora of Toledo and Her Son Giovanni, ca.1545 (Detroit Institute of Arts), attributed to Bronzino, was recently cleaned and consolidated. Nearly identical to a portrait by Bronzino in the Uffizi, Florence, the Detroit portrait had long been judged by scholars to be a replica, a copy by the artist. Material, compositional, technical and qualitative evidence collected during treatment supported identification of the Detroit portrait as a contemporary copy of the Uffizi painting, as a product of Bronzino and his workshop. Art historical research established replication to be a part of Bronzino's practice.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19990401-00204784

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license