Focuses on Berenson's work as art historian and aesthetician in his essays on the Italian Renaissance, and specifically The Venetian painters. Demonstrates how Berenson develops an art-historical narrative which serves the new art market by reconciling aesthetic and exchange value.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license