Contemporary portraiture's split reference

Author

Sultan, Terrie

Document type

Article (journal)

Language

English

Source

Art on paper. 1999, Num. 4, Vol. 3, 38-42, 7 ill. (5 col.)

ISSN

1521-7922

Abstract (en)

Studies contemporary portraiture on paper - exemplified by the watercolors of Chuck Close and Till Freiwald, the mixed media drawings of Marlene Dumas, the woodcuts of Franz Gertsch, and the drawings of Susan Hauptman. Discusses the various strategies of the artists concerning photography, scale, serial presentation, and iconography.

Subject (en)

• General history of art -- 1945-present
• Graphic arts
• Portraits
• 1900-2000
• Close, Chuck, b.1940
• Dumas, Marlene, b.1953
• Gertsch, Franz, b.1930
• Hauptman, Susan, b.1947
• Freiwald, Till, b.1963
• Watercolor
• Drawing
• Woodcuts
• Mixed media
• South Africa
• Switzerland
• United States
• France
• Prints

Subject (fr)

• Histoire générale de l'art -- 1945-présent
• Arts graphiques
• Portrait
• 1900-2000
• Close, Chuck, n.1940
• Dumas, Marlene, n.1953
• Gertsch, Franz, n.1930
• Hauptman, Susan, n.1947
• Freiwald, Till, n.1963
• Aquarelle
• Dessin
• Gravure sur bois
• Mixed media
• Afrique du Sud
• Suisse
• Etats-Unis
• France
• Estampe

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19990701-00207774

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