Prompted by the exhibition of his works at the Centre Georges Pompidou (Paris), examines the work of Brancusi for 19th-c. subjects transposed to 20th-c. forms, particularly the holistic religious symbolism of Eros-Thanatos as revealed in his gates and columns. Seeks formal and symbolic prototypes for the work, especially the Memorial from Tirgu-Jiu, in Romanian art and architecture as well as Parisian modernism.
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