Roman virtue and Renaissance marriage

Author

Callmann, Ellen

Document type

Article (journal)

Language

English

Source

Register of the Spencer Museum of Art. 1991, Num. 8-9, Vol. 6, p. 21-36, 19 ill.

ISSN

0733-866X

Abstract (en)

Investigates the iconography of a scene painted on a cassone panel in the collection of the Spencer Museum of Art, Lawrence, dating from the 1480s. This panel shows the Last Day, Assassination, and Funeral of Julius Caesar. Attributes the panel to the Apollini Sacrum Master, and places it in the context of Florentine politics of the 15th c., arguing that the story of Julius Caesar reflected Florentine beliefs regarding marriage and dynasty.

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- Italy
• Master of Marradi, 15th-16th cs.
• Painting
• Cassoni
• Italy
• 1400-1500
• Iconography
• Caesar, Julius, ca.102-44 B.C.
• Last Day, Assassination, and Funeral of Julius Caesar
• University of Kansas, Spencer Museum of Art||Lawrence (KS, USA)
• Marriage

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- Italie
• Maître de Marradi, 15~e-16~e s.
• Peinture
• Cassone
• Italie
• 1400-1500
• Iconographie
• César, Jules, v.102-44 av. J.C.
• Le Dernier jour, l'assassinat et les funérailles de Jules César
• University of Kansas, Spencer Museum of Art||Lawrence (KS, USA)
• Mariage

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19990701-00209025

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