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The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792

Author
Pressly, William L.
Document type
Livre
Language
English
Collection
California studies in the history of art. Discovery series ; Num. 6.
Source
The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792. 1999, xxiii, 211 p., ill. (some col.), sel. bibliogr., index
ISBN
0-520-21196-0
Publisher
University of California Press, Berkeley (usa)
Publication country
United States
Abstract (en)
Focuses on two ca.1794 works by Zoffany: Plundering the King's Cellar at Paris, August 10, 1792 (Hartford, Wadsworth Atheneum) and Celebrating over the Bodies of the Swiss Soldiers (Museen der Stadt Regensburg). Pressly places them in their historical context and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral themes, all of which Zoffany adopted and reinvented for his own purposes. Appendix catalogues Zoffany's paintings of the French Revolution.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier19991001-00211103

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license