Law and the image : the authority of art and the aesthetics of law. 1999, 19-35, 6 ill.
Publisher
University of Chicago Press, Chicago (usa)
Publication country
United States
Abstract
(en)
Examines allegorical images of Justice, considering especially the problem of the blindfold, which appears in the late 15th c. as a negative force in a narrative of blocking or occluding Justice, but by ca.1530 is incorporated as a positive attribute of the image - a symbol of neutrality rather than helplessness. Asks what the ramifications of this symbol might be on our notions of the law, as well as noting the female gender of the blindfolded figure (contrasted with Vermeer's images of a woman with scales).
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