PhD; Courtauld Institute of Art; 2000; typescript ; 21 ill. (some col.), 1 map, bibliogr. ; 267 p., [20] p. of pl. ; sd
Abstract
(en)
Dress was both a focus of non-verbal communication and a key commodity in the interactions between the different cultures - white, black and Native American - that co-existed in French colonial Louisiana. Examines the ways in which sartorial expression in a fluid colonial culture both evoked status and marked transformation. Argues that the choice that made these expressions possible was dependent upon the conditions of supply. No textiles were made in the colony, and it was expected that all manufactured goods for the use of colonists and their dependents be imported from the mother country. However, repeated shortcomings in the provision of textiles and apparel, meant that auctions, and used- (or stolen), clothes dealers made the recycling and exchange of goods an essential feature of the local economy.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license