The extensive, often illustrated, correspondence between the Howards and the Burne-Joneses, together with Rosalind Howard's diary, testifies to the close friendship that existed between the couples, and reveals the Howards' emotional, moral and financial support for the artist. They also shed light on Burne-Jones's commissions and delays over work. His paintings, together with the designs and furnishings from Morris & Co., formed a central part of the Howards' decorative schemes at Palace Green, the Kensington house designed by Philip Webb (for which the frieze illustrating the story of Cupid and Psyche was commissioned from Burne-Jones, with Walter Crane and the assistance of Thomas Rooke), and to a lesser extent at Naworth Castle and Castle Howard.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license