Article examines the series of four portraits of Napoleon painted by Paul Delaroche: Napoleon in his study (1838; private collection); Napoleon at Fontainebleau, 31 March 1841 and Napoleon crossing the Alps (both of which exist in several versions); Napoleon at St Helena (1856; London, Royal Collection). Argues that these paintings are particularly interesting because they were all owned by British collectors soon after they were completed. In addition, they were traditionally celebrated for their verisimilitude. Also suggests that there is a strong likeness between the portraiture of Napoleon and the artist's self-portraiture.
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