Rethinking Boucher. 2006, 229-251, 194-195, 9 ill. (2 col.)
Publisher
Getty Research Institute, Los Angeles, CA (USA)
Publication country
United States
Abstract
(en)
Attempts to complicate ideas of how Boucher fits within the cultural context of a burgeoning modernity by examining The Setting of the Sun and The Rising of the Sun (1752 and 1753, respectively; London Wallace Collection), pendant canvases that depict the rise and descent of Apollo as the sun king. Considers what potential impact their patron, Madame de Pompadour, may have had and also considers what impact the discourse of the Englightenment may have had on the mutual relations between painters and patrons in France. Discusses the criticism of Diderot and issues of gender, fantasy, and composition.
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