Considers Tillmans's portraits to be a consistent category within his photography. Discusses the emphasis on intimacy and social relations in his photographs, as well as their distinctive installations. Tillmans's "straightforward," unselfconscious aesthetic and untheatrical lighting are mentioned. Also considers Tillmans's interaction with magazine photography, including fashion.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license