Philip Pearlstein

Author

Sandler, Irving

Document type

Article (journal)

Language

Italian

Source

Tema celeste. 1994, Num. 46, 44-53, 7 col. ill.

Abstract (en)

Argues that, while Pearlstein's new realism set him apart from pop art in many ways, his works are informed by the hardness, suppression of evidence of the creative process, and exteriority of the 1960s American avant-garde. Emphasizes how his intention to use nature as a source of ideas affected form and content in depictions of nude figures.

Subject (en)

• General history of art -- 1945-present -- Pictorial arts -- Painting and drawing -- United States
• Pearlstein, Philip, b.1924
• United States
• Painting
• 1900-2000
• Nude
• Iconography
• Human figure
• Form
• Pop art
• Creativity
• Artistic intention
• Nature

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Peinture et arts graphiques -- Peinture et dessin -- États-Unis
• Pearlstein, Philip, n.1924
• Etats-Unis
• Peinture
• 1900-2000
• Nu
• Iconographie
• Corps humain
• Forme
• Pop art
• Création artistique
• Intention artistique
• Nature

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20060701-00024918

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