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Muse and method in Romare Bearden's Obeah watercolors

Author
Garcia, Alicia; Powell, Richard J. (Contributor, Collective Author); Di Giulio, Margaret Ellen (Contributor, Collective Author); Trout, Virginia (Contributor, Collective Author); Wang, Christine (Contributor, Collective Author); Garcia, Alicia (Contributor, Collective Author)
Document type
Article (catalogue d'exposition)
Language
English
Book title
Conjuring Bearden
Source
Conjuring Bearden. 2006, 32-47, 8 ill. (6 col.)
Publisher
Nasher Museum of Art at Duke University, Durham (NC, USA)
Publication country
United States
Abstract (en)
Situates the 1984 Obeah series in a broader context of the artist's life and work, asserting that it constitutes both the culmination of his interest in material, form, color, and surface as well as a stream of consciousness. Explains formal and thematic sources of the depictions of Obeah women (practitioners of a type of sorcery originating in sub-saharan Africa), observed by the artist in his secondary home in St. Martin. Evaluating the significance of folk religion, magic, and corporeal control, the author suggests that Bearden identified with a "fusion of divine and commonplace" in the African American experience, and that the series' strength lies in its alignment of muse and medium.
Subject (en)
Subject (fr)

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20060701-00024930

Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license