Campi d'oscillazione

Author

Conti, Tiziana

Document type

Article (journal)

Language

Italian

Source

Tema celeste. 1994, Num. 47-48, 30-35, 14 ill. (11 col.)

Abstract (en)

Explores the function of photography in contemporary society, suggesting that its role in mediating reality has become antagonistic (with respect to subject and artistic identity). Describes its development as a representational "language" with the rise of mass media communications in the 1980s and the divergence between American and German methodologies. Emphasizes the integration of new technology into technique and imagery, tracing the evolution from manipulation to victimization of content (often being the body and, sometimes only implicitly, the artist).

Subject (en)

• General history of art -- 1945-present -- Pictorial arts -- Photography
• Photography
• Europe
• Germany
• Comparison
• 1900-2000
• Mediums
• Reality
• Identity
• Function
• Human figure
• Communication
• Media (communications systems)
• Technology
• Technique
• Artists
• United States

Subject (fr)

• Histoire générale de l'art -- 1945-présent -- Peinture et arts graphiques -- Photographie
• Photographie
• Europe
• Allemagne
• Comparaison
• 1900-2000
• Médiums
• Réalité
• Identité
• Fonction
• Corps humain
• Communication
• Mass media
• Technologie
• Technique
• Artistes
• Etats-Unis

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20060701-00024953

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