Hoping to amend recent scholarship such as the identified (patronizing, misleading, and limiting) categorization of women in the Virtue and beauty exhibition at the National Gallery (Washington, DC), pursues a more thorough, individualized account of Ginevra de' Benci as an historical figure. Asks if and how Ginevra may have influenced the departures from convention in format (the three-quarter view of a female face) and style (the integration of female figure with the natural landscape) of her portrait (here dated ca.1473-1475; Washington, DC, National Gallery). Considers likely (though uncertain and heavily debated) commission details such as dating, commemorative function, the possible patronage of diplomat Bernardo Bembo, and the nascent development of the young noblewoman's voice in the social environment of Renaissance Florence.
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