Anticipates the progressive content and potential influence of two 2007 feminist exhibitions: Global feminisms (curated by Maura Reilly and Linda Nochlin for the Brooklyn Museum) and WACK!: art and the feminist revolution (curated by Connie Butler for LA MOCA). Emphasizes past and present complications in institutions, art-historical scholarship, and the public sphere in dealing with such controversial subject matter while remaining productive.
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