Proposes the use of Gilles Deleuze's theory of the "time-image" in the interpretation of Smithson's 1970 film about his Spiral Jetty, observing that his critics have become overly concerned with the rhetoric of materiality rather than with the issues of temporality and process raised by the original work.
Sauf mention contraire ci-dessus, le contenu de cette notice bibliographique peut être utilisé dans le cadre d'une licence CC BY 4.0 / Unless otherwise stated above, the content of this bibliographic record may be used under a CC BY 4.0 license