Art historical iconography and word & image studies : Manet's Bar at the Folies-Bergère and the naturalist novel

Author

Weingarden, Lauren

Document type

Article (livre)

Language

English

Book title

The pictured word

Author (monograph)

Heusser, Martin (Editor, Collective Author); Clüver, Claus (Editor, Collective Author); Hoek, Leo (Editor, Collective Author); Weingarden, Lauren (Editor, Collective Author)

Source

The pictured word. 1998, 49-63, 4 ill.

Publisher

Rodopi, Amsterdam (NLD)

Publication country

Netherlands

Abstract (en)

Discusses Manet's Bar at the Folies-Bergère (London, Courtauld Institute Galleries), adapting Panofsky's iconographic model with a semiotic-structuralist analysis. Argues that the painting shares a subversive narrative and formal structure with that of the French naturalist novel as codified by Zola. Both painter and writer used parody as a technical device to subvert aesthetic expectations.

Subject (en)

• General history of art -- 1800-1945 -- Pictorial arts -- Painting and drawing -- France
• Manet, Edouard, 1832-1883
• Painting
• Bar at the Folies-Bergère
• University of London, Courtauld Gallery||London (GBR)
• 1800-2000
• Iconography
• Semiotics
• Structuralism
• France
• Panofsky, Erwin, 1892-1968
• Methodology
• United States
• Art historians
• Parody
• Novels
• Naturalism
• Zola, Emile, 1840-1902
• Comparison

Subject (fr)

• Histoire générale de l'art -- 1800-1945 -- Peinture et arts graphiques -- Peinture et dessin -- France
• Manet, Edouard, 1832-1883
• Peinture
• Un Bar aux Folies-Bergère
• University of London, Courtauld Gallery||London (GBR)
• 1800-2000
• Iconographie
• Sémiotique
• Structuralisme
• France
• Panofsky, Erwin, 1892-1968
• Méthodologie
• Etats-Unis
• Historiens de l'art
• Parodie
• Roman [moderne]
• Naturalisme
• Zola, Emile, 1840-1902
• Comparaison

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20060701-00027193

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