Pictorial ars praedicandi in late fifteenth-century paintings

Author

Plesch, Véronique

Document type

Article (acte de congrès)

Language

English

Conference title

Text and visuality

Author (monograph)

Heusser, Martin (Editor, Collective Author); Hannoosh, Michèle (Editor, Collective Author); Hoek, Leo (Editor, Collective Author); Schoell-Glas, Charlotte (Editor, Collective Author); Scott, David (Editor, Collective Author)

Source

Text and visuality. 1999, 173-186, 6 ill.

Publisher

Rodopi, Amsterdam (NLD)

Publication country

Netherlands

Abstract (en)

Discusses the mural paintings of Christ's Passion in Notre-Dame-des-Fontaines, La Brigue, by the Piedmontese painter and priest Giovanni Canavesio. Argues that the strategies he employed to convey meaning and to structure the spectators' experience are also informed by his priestly training, and that they reflect mental structures derived from the "ars praedicandi".

Subject (en)

• General history of art -- 1400-1800 -- Pictorial arts -- Painting and drawing -- France
• Notre-Dame-des-Fontaines||La Brigue (FRA)
• Mural painting
• Canavesio, Giovanni, act.1450-1500
• Iconography
• Christian iconography
• Jesus Christ: Passion
• Preaching
• Priests
• France
• Italy
• 1400-1500
• Meaning
• Spectators

Subject (fr)

• Histoire générale de l'art -- 1400-1800 -- Peinture et arts graphiques -- Peinture et dessin -- France
• Notre-Dame-des-Fontaines||La Brigue (FRA)
• Peinture murale
• Canavesio, Giovanni, act.1450-1500
• Iconographie
• Iconographie chrétienne
• Christ: Passion
• Prédication
• Prêtres
• France
• Italie
• 1400-1500
• Signification
• Spectateurs

Origin

DatabaseBHA (Inist-CNRS/GRI)

Identifier20060701-00027243

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